We refer to Mel Lewis often, for good reason; he was one of the most vocal authorities on cymbal sounds for jazz, and was known for consistently having some of the best sounding cymbals in drumming. This recording by Chet Baker exemplifies everything we’re looking for in a good cymbal sound: defined stick sound, big, exciting crash sound, overall tonality more warm than dark.
It’s notable that the sounds are all fairly straightforward— they’re focused, and not particularly trashy, washy, or exotic. The sound of the cymbal perfectly supports what is being played on it. Lewis gets some funkier effects with the hihats, which are thinner, with a very big sizzle when played half-open.